Le cursus AI-curated Fashion Image and Marketing est un programme de cycle supĂ©rieur innovant sur deux ans qui fait le lien entre les cultures visuelles Ă©mergentes façonnĂ©es par lâIA et les stratĂ©gies de marketing du luxe de nouvelle gĂ©nĂ©ration. Il rĂ©pond Ă une Ă©volution radicale au sein des industries mondiales de la mode et du luxe. En effet, la communication visuelle, le comportement du public, les performances commerciales et lâengagement envers les marques sont de plus en plus façonnĂ©s par des systĂšmes intelligents, allant de lâIA gĂ©nĂ©rative multimodale au profilage gĂ©ographique hyper-localisĂ© et Ă la modĂ©lisation prĂ©dictive des consommateurs.
PremiĂšre annĂ©e : les Ă©tudiants acquiĂšrent une maĂźtrise stratĂ©gique des Ă©cosystĂšmes des mĂ©dias de mode actuels, en apprenant Ă Ă©laborer des rĂ©cits de marque dans des environnements physiques, numĂ©riques et algorithmiques. Le programme couvre les Ă©lĂ©ments suivants : lâhistoire des mĂ©dias de mode et la sĂ©miotique revisitĂ©es Ă travers la mĂ©diation de lâIA, lâintelligence des audiences, lâorchestration de campagnes basĂ©es sur les donnĂ©es, la perception du marchĂ© par lâIA, la direction Ă©ditoriale assistĂ©e par lâIA, le journalisme de mode, lâethnographie des mĂ©dias, la psychologie des consommateurs et lâanalyse des comportements post-plateforme. La premiĂšre annĂ©e instaure un socle thĂ©orique, stratĂ©gique et culturel solide, permettant aux Ă©tudiants dâorchestrer des systĂšmes de storytelling intelligents dĂ©diĂ©s au luxe et Ă la mode dâune maniĂšre innovante, Ă©thique et culturellement pertinente.
DeuxiĂšme annĂ©e : la deuxiĂšme annĂ©e marque la transition entre la maĂźtrise stratĂ©gique et la crĂ©ation et la production assistĂ©e par lâIA. Les Ă©tudiants mĂšnent des expĂ©riences visuelles sophistiquĂ©es (photographie, film et installations de dĂ©filĂ© interactives) oĂč lâIA devient un levier puissant de crĂ©ativitĂ©, et non un simple substitut. Les Ă©lĂ©ments suivants figurent Ă©galement au programme : marketing dâinfluence basĂ© sur lâemplacement gĂ©ographique, intelligence hyperlocale dans le commerce de dĂ©tail, placement mĂ©dia adaptatif basĂ© sur lâIA et commerce de luxe omnicanal, immersion stratĂ©gique dans les futurs numĂ©riques spatiaux (contenu de mode en rĂ©alitĂ© augmentĂ©e, avatars 3D, jumeaux numĂ©riques de produits). Le dernier semestre se termine par un projet de recherche majeur publiable, rĂ©pondant aux exigences acadĂ©miques requises pour accĂ©der directement Ă un programme de doctorat.
GrĂące aux liens Ă©troits de lâIstituto Marangoni avec les grandes entreprises du luxe et Ă la diversitĂ© de sa communautĂ© Ă©tudiante internationale, lâIstituto Marangoni Milano propose une mĂ©thodologie unique qui permet aux Ă©tudiants de travailler sur des projets sous la supervision des marques de mode et de beautĂ© les plus prestigieuses, acquĂ©rant ainsi une prĂ©cieuse perspective internationale.
Parmi les principaux intervenants dans ce domaine figurent Versace, Prada, Tiffany, Dolce e Gabbana, Luxottica, Ferragamo, Giorgio Armani.
| Year | Semester | Academic Area | Subject | Lecture Hours | Credits | Topics | Content Notes |
|---|---|---|---|---|---|---|---|
| 1 | 1 | HISTORY AND CULTURE OF DESIGN | Applied Art History | 45 | 6 | Art history, painting, and sculpture | The course explores the evolution of artâpainting and writingâas foundational systems of visual and symbolic expression. Students analyze artistic movements, aesthetic languages, and narrative forms that have shaped contemporary imagery, developing a critical base for communication and image-making in fashion. |
| 1 | 1 | FASHION HISTORY AND CULTURE | History and Criticism of Contemporary Fashion | 22.5 | 3 | History of fashion photography, cinema, and music | The course examines the evolution of fashion photography as a critical language and a tool for shaping contemporary imagery. Through dialogue with cinema and music, students explore how images define identities, aesthetics, and cultural narratives, understanding fashionâs role in todayâs media and visual systems. |
| 1 | 2 | SOCIOLOGY AND ANTHROPOLOGY OF COMMUNICATION | Sociology and Anthropology of Communication | 37.5 | 5 | Sociology and anthropology of fashion | The course explores fashion as a social and cultural phenomenon. Students analyze dynamics of identity, belonging, and gender, understanding how fashion produces collective meanings and reflects transformations in contemporary society. |
| 1 | 2 | VISUALISATION AND PROJECT COMMUNICATION TECHNIQUES | Visual Communication Techniques 1 | 137.5 | 11 | Graphic and image design with generative AI (storyboards and visuals) | The course introduces students to graphic design through generative AI tools. From storyboard building to experimentation with prompts and synthetic images, students learn how to translate a brand strategy into coherent visual outputs, combining creativity and emerging technologies. |
| 1 | 2 | COMMUNICATION DESIGN | Communication Design | 150 | 12 | Fashion project media plan + communication strategy | The course focuses on communication strategies within the fashion system. Students develop media plans and integrated communication plans, learning how to define objectives, targets, channels, and metrics through a strategic approach. |
| 1 | 1 | FASHION ECONOMICS AND MARKETING | Fashion Marketing | 52.5 | 7 | Strategic Tech Marketing | The course explores tech marketing strategies applied to the fashion system. Students analyze how data, digital platforms, AI, and martech tools transform customer journeys, positioning, and relationship models, developing an innovation- and performance-oriented strategic approach. |
| 1 | 1 | BUSINESS ECONOMICS AND MANAGEMENT | Business Organization | 30 | 4 | Industry analysis + corporate strategy | The course covers key approaches to fashion industry analysis and core business strategies. Students learn how to read competitive dynamics, business models, and organizational structures, developing a strategic vision focused on growth, positioning, and sustainability in the global context. |
| 2 | 1 | MULTIMEDIA IT TECHNIQUES | Digital Image Processing | 25 | 2 | 3D space / exhibition design | Development of 3D design skills and digital image processing for exhibition spaces and fashion collection presentations, using advanced modelling software. |
| 2 | 1 | COMMUNICATION SCIENCES | Semiotics of the Image | 15 | 2 | Semiotics and phenomenology of new media | Development of critical knowledge in image semiotics and new media languages, applied to the analysis of contemporary audiovisual and digital phenomena. |
| 2 | 1 | SCIENCES AND LANGUAGES OF PERCEPTION | Visual Research | 100 | 8 | Research methodology | Development of visual research skills and perceptual analysis of the image. |
| 2 | 2 | VISUALISATION AND PROJECT COMMUNICATION TECHNIQUES | Visual Communication Techniques 2 | 62.5 | 5 | Layout design and dissertation artifact | Project presentation and communication, with a focus on layout design and portfolioâalso aimed at the professional presentation of the final dissertation. Production of a visual artifact that enriches the thesis. |
| 2 | 2 | MULTIMEDIA DESIGN | Multimedia Languages and Applications | 100 | 8 | Shooting, production, and post-production for photography and video | Development of advanced skills in fashion video design and production, with two final outputs: the first through group production work; the second as an individual mixed-technique, AI-driven video asset. |
| 2 | 1 | COMMUNICATION TECHNIQUES AND LANGUAGES | Brand Communication | 62.5 | 5 | Visual identity analysis / content & assets editing | Development of skills in fashion brand communication through visual identity analysis, content editing, and the consistent management of digital assets. |
| 2 | A | COMMUNICATION DESIGN | Art Direction | 150 | 12 | Communication strategy and design (social media) | Software and video editing techniques focused on fashion content for communication, including social content creation and runway/show art direction. |
GrĂące Ă des projets concrets, des collaborations avec des dirigeants de lâindustrie et des Ă©changes avec des Ă©tudiants dâautres filiĂšres, les Ă©tudiants seront prĂȘts Ă prĂ©senter leurs travaux et concepts visuels avec un haut niveau de professionnalisme et de crĂ©ativitĂ©.
AprÚs le programme de cycle supérieur AI-curated Fashion Image and Marketing, les étudiants peuvent poursuivre des carriÚres en tant que :
Le programme sâĂ©tend sur deux annĂ©es Ă©volutives et interdĂ©pendantes, combinant lâintelligence de la communication, la crĂ©ation et les prĂ©visions stratĂ©giques du marchĂ©, et prĂ©parant les diplĂŽmĂ©s Ă la fois Ă des postes de dirigeants et Ă des parcours en recherche de niveau doctorat.
GrĂące Ă des projets concrets, des collaborations avec des dirigeants de lâindustrie et des Ă©changes avec des Ă©tudiants dâautres filiĂšres, les Ă©tudiants seront prĂȘts Ă prĂ©senter leurs travaux et concepts visuels avec un haut niveau de professionnalisme et de crĂ©ativitĂ©.
AprÚs le programme de cycle supérieur AI-curated Fashion Image and Marketing, les étudiants peuvent poursuivre des carriÚres en tant que :
Le programme sâĂ©tend sur deux annĂ©es Ă©volutives et interdĂ©pendantes, combinant lâintelligence de la communication, la crĂ©ation et les prĂ©visions stratĂ©giques du marchĂ©, et prĂ©parant les diplĂŽmĂ©s Ă la fois Ă des postes de dirigeants et Ă des parcours en recherche de niveau doctorat.