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Sergio Cereda Design Awards 2026: 4 Students Named Finalists

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Sergio Cereda Design Awards 2026: 4 Students Named Finalists

Four Eyewear Concepts at the Cereda Awards 2026
20 January 2026
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Istituto Marangoni Milano Design celebrates an important milestone: four students have been selected as finalists for the Sergio Cereda Design Awards 2026, with eyewear concepts that reflect different approaches yet share the same design direction—bringing together research, function, and identity in objects that go beyond the idea of a mere accessory.

The finalists are Anping Chu, Camille Ferreira, Gustav Craft, and Mahra Mustafa, chosen for projects that move across sports performance, architecture, sustainability, and perceptual experimentation.

The Sergio Cereda Design Awards is a prize dedicated to design culture and experimentation, created to support and spotlight the next generation of designers. Each edition highlights proposals that combine creative vision, innovation, and design quality, giving space to research that frames design as a language for both the present and the future.

Here are the finalist projects:

Anping Chu – AERFLOW

Inspired by the trajectories of skiing, AERFLOW transforms speed and protection into a fluid, aerodynamic form. Sport, technology, and style merge into a futuristic and functional visual language, designed to follow movement and enhance its dynamics.

Anpin Chu

Key features: aerodynamic monocoque frame, no nose pads, wraparound structure, and an iridescent finish.
Function: maximum protection and comfort in motion, designed to transition seamlessly from sport to everyday use.

Camille Ferreira – Ligne Alpine / Ligne Claire

With Ligne Alpine / Ligne Claire, Camille Ferreira creates a dialogue between sports design and modernist architecture, inspired by Charlotte Perriand. Natural materials and alpine forms generate two complementary expressions of the same design vision, balancing rigour with contemporary sensibility.

Camille Ferreira

Key features: integration of leather, wood, and metal inspired by alpine modernist architecture.
Function: reinterpreting sports eyewear through an elegant, wearable lens, balancing performance with everyday aesthetics.

Gustav Craft – SERAC / ARCTE

SERAC / ARCTE is an eyewear project made from recycled PET, transforming major events into objects filled with memory and meaning. Each frame is unique—merging sustainability, performance, and alpine landscapes in a narrative-driven material approach.

Gustav Kraft

Key features: marbled recycled PET frames, each piece is one-of-a-kind.
Function: outdoor protection with symbolic value, turning waste into wearable memory.

Mahra Mustafa – REFRACT

With REFRACT, Mahra Mustafa uses light refraction as a metaphor for unity and diversity. The faceted shape translates a universal symbol into a visual and conceptual experience: eyewear that does not simply protect, but actively interacts with light.

Mahara Mustafa

Key features: a faceted structure that refracts light into colours, inspired by the Olympic rings.
Function: not only sun protection, but a visual and conceptual experience that makes light an active part of the design.

A shared vision: eyewear as contemporary research

These four projects confirm a clear perspective: today, eyewear is a fully developed field of research, where technology, sustainability, design culture, and imagination coexist. A balance between performance and everyday wear, between material and meaning—where innovation is not only formal, but becomes a language in itself.

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