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Milano The School of Design

The School of Design

Milan is synonymous with design, and no wonder. It unites a rich history with a continued vital role in the global design landscape that is always respectful of the past but has an eye towards the future. This unique approach to research and experimentation is also reflected in the Milano Design School, where participants will be challenged with projects from artisanal furniture to high-end inspirational design for interiors, products, and visual graphics. All courses at Istituto Marangoni Milano Design School are underpinned by a contemporary aesthetic approach, and a heavy dose of fashion cross-pollination, thanks to the luxury and fashion found around every corner. This design culture is closely linked with the city’s design district and the community of creative designers who are drawn to study, work and live in this fertile environment, leading to an exclusive mix of cutting-edge design paired with new technologies, and an eye for commerce that successfully combines theory with practice.

EXPERIENCE MILANO THROUGH VIDEO

Discover Istituto Marangoni Milano Design through video: a hub where Italian tradition meets innovation in interior, product, and visual design. Experience how fashion influences, new technologies, and Milan’s design district shape tomorrow’s creative talent.

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ACADEMIC COURSES & GUIDANCE

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Undergraduate courses

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Postgraduate Courses

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Short courses

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Get ready to start your journey

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Cross school experience

Career service - Milano Design

Career Milano Design

Accommodation in Milan

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IM SchoolMates

SchoolMates Project

FIELDS OF STUDY

Discover a world of creative possibilities at Istituto Marangoni Milano, where a fusion of creativity and expertise awaits in the fields of Interior design, Product Design and Visual Design.

INTERIOR DESIGN

Interior Design at Istituto Marangoni is not just about ‘producing’ an environment, but a creative and complex mix of the latest trends.

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PRODUCT DESIGN

All Product Design courses at Istituto Marangoni combine a heritage immersed in craftsmanship and creativity, together with applied manual, technical and digital design skills.

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VISUAL COMMUNICATION DESIGN

Istituto Marangoni study methods in Visual Communication Design are rigorously oriented towards industry demands and ‘real-world’ project experiences in a technologically advanced.

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DESIGN INNOVATION

At the core of this study area is designing with technologies, using advanced tools such as AI, VR, AR, XR, 3D printing, and generative design to create cutting‑edge products and experiences.

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ENTRY REQUIREMENTS, VALIDATIONS & SCHOLARSHIPS

Validation · Milano Design

AFAM Validated programmes
Validating body
Italian Ministry of University and Research (MUR)

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Entry Requirements

Applicants interested in applying to Istituto Marangoni are required to meet specific entry requirements that may vary according to the chosen course.

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Scholarships

Every year, Istituto Marangoni awards scholarships for its undergraduate and postgraduate courses to the best young talents.

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Get ready to start your journey · Milano Design

Welcome to Istituto Marangoni Milano

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Latest Updates

Mentorship Programme 2026/2027: dialogue between emerging talent and leading figures in international design

Istituto Marangoni Milano Design renews its commitment to excellence in education with the Mentorship Programme 2026/2027, an initiative that connects students directly with some of the most influential figures in the contemporary creative landscape.

Through a structured mentorship path, students will have the opportunity to engage with professionals who have redefined the languages of design, communication, and innovation, gaining a concrete and strategic understanding of industry dynamics.

Mentors of the 2026/2027 edition

Elena Salmistraro – Undergraduate Courses Visual Design / Interior / Product / Innovation Design

An internationally recognized designer and artist, Elena Salmistraro stands out for her expressive and highly distinctive style. Her work, characterized by a vibrant and narrative aesthetic research, will guide undergraduate students in developing their own personal creative language.

Luca Fuso / Cassina – Master Design Management for Strategic Innovation

Chief Executive Officer of Cassina, a historic Italian design brand, Luca Fuso represents a model of leadership focused on innovation and the enhancement of design heritage. His contribution will offer a strategic perspective on the role of design as a driver of growth and business transformation.

Giulio Cappellini – Master Interior Design

A key figure in the international design scene, Giulio Cappellini is renowned for his ability to discover and nurture emerging talent. An art director and entrepreneur, as well as Ambassador of Istituto Marangoni Milano Design, he has helped shape contemporary aesthetics through a visionary approach and a constant pursuit of innovation in interior design.

Carlo Colombo – Master Interior Contract Design

An internationally renowned architect and designer, Carlo Colombo is distinguished by an elegant and rigorous design language. His collaborations with leading design brands have made him a key reference in the world of high-end interior and contract design.

Marcel Wanders – Master in Product & Furniture Design

Internationally acclaimed designer and art director Marcel Wanders will mentor students of the MA in Product & Furniture Design for the 2026/2027 academic year. Through the Mentorship Programme, students will engage with his distinctive creative vision and professional experience, exploring innovative approaches to contemporary product and furniture design.

M&C Saatchi – Master Digital Art Direction

A global communication and branding agency, M&C Saatchi brings a strategic and contemporary vision of digital creativity to the programme. Their contribution focuses on the integration of storytelling, content, and new platforms, preparing students to operate in complex and constantly evolving communication environments.

Odoardo Fioravanti – Master Product Design for Human-Robot Interaction

An award-winning designer, Odoardo Fioravanti is known for his experimental and innovation-driven approach. His work explores new relationships between product, technology, and user, with a particular focus on emerging interactions between humans and intelligent systems.

An Experience Between Education and Industry

The Mentorship Programme serves as a bridge between academic training and the professional world, providing students with concrete tools to interpret contemporary challenges. Through workshops, project reviews, and direct exchange, mentors share methodologies, visions, and best practices.

Towards the Future of Design

In an ever-evolving context, dialogue with leading professionals represents a fundamental element in developing critical awareness and design capabilities. The Mentorship Programme 2026/2027 confirms itself as an immersive educational experience, equipping new generations of creatives to become drivers of change.

The Bench Marks wins a Wood Pencil at the D&AD New Blood Awards 2026

An important international recognition celebrates the talent of the students from the Visual Communication Design Department. The Bench Marks has been awarded a Wood Pencil at the D&AD New Blood Awards 2026, one of the world's most prestigious competitions dedicated to emerging talent in design, creativity and communication.

Organised by D&AD (Design and Art Direction), the New Blood Awards connect students, recent graduates and emerging creatives with industry briefs developed in collaboration with some of the world's leading brands and organisations. Projects are evaluated by a jury of internationally recognised industry professionals, while the Wood Pencil is awarded only to entries that demonstrate outstanding creative excellence, innovation and quality of execution.

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More than 6,000 projects from schools and universities around the world were submitted for the 2026 edition, with only 120 receiving an award. Earning a Wood Pencil means standing out in an exceptionally competitive context and receiving one of the most prestigious international accolades for emerging creatives.

Developed in response to a brief set by Affinity and Canva, The Bench Marks addresses one of today's most pressing challenges: how design can encourage a return to authentic human interaction in an age shaped by digital hyperconnectivity.

The Bench Marks reimagines one of the most iconic elements of public space – the bench – transforming it into a platform for dialogue. Each bench is visually divided into two opposing sides representing different opinions, tastes or points of view. By choosing where to sit, people make their position visible, naturally sparking conversations, curiosity and new social connections.

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Designed to adapt to different urban and cultural contexts, the project also encourages the direct involvement of local communities in creating new graphics and themes, transforming each installation into a space for participation and dialogue.

The project was developed by students Maximilian Gatev (Switzerland), Laura Medina (Colombia) and Oskar Bruun (Norway), under the guidance of tutors Andrea Bomentre and Elena Di Seclì, within the Visual Communication Design Department, led by Paola Rolli.

This achievement reflects the Department's educational approach, which encourages students to engage with real-world briefs and international design challenges while developing creative and strategic skills in close dialogue with the industry.