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Milano The School of Design

The School of Design

Milan is synonymous with design, and no wonder. It unites a rich history with a continued vital role in the global design landscape that is always respectful of the past but has an eye towards the future. This unique approach to research and experimentation is also reflected in the Milano Design School, where participants will be challenged with projects from artisanal furniture to high-end inspirational design for interiors, products, and visual graphics. All courses at Istituto Marangoni Milano Design School are underpinned by a contemporary aesthetic approach, and a heavy dose of fashion cross-pollination, thanks to the luxury and fashion found around every corner. This design culture is closely linked with the city’s design district and the community of creative designers who are drawn to study, work and live in this fertile environment, leading to an exclusive mix of cutting-edge design paired with new technologies, and an eye for commerce that successfully combines theory with practice.

 

Design Week 2026

For Milano Design Week 2026, Istituto Marangoni presents Design Awakens, an activation exploring a new phase in contemporary design where objects, spaces and digital systems evolve into responsive, interconnected environments shaped by the convergence of technology, human experience and nature.

DESIGN AWAKENS
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ACADEMIC COURSES & GUIDANCE
FIELDS OF STUDY

Discover a world of creative possibilities at Istituto Marangoni Milano, where a fusion of creativity and expertise awaits in the fields of Interior design, Product Design and Visual Design.

ENTRY REQUIREMENTS, VALIDATIONS & SCHOLARSHIPS
Latest Updates
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Spencer Wood Brings Her Jewelry Designs to Milano Jewelry Week 2026

From the understated elegance of Japanese floral arrangements to the iconic geometries of New York’s skyscrapers, two seemingly distant aesthetic worlds inspire the creations of Spencer Wood, a student at Istituto Marangoni Milano Design, selected to showcase her work at Milano Jewelry Week 2026 on October 26.

This represents an important opportunity to bring her creative research to an event dedicated to the world of jewelry, engaging with a professional environment where design, craftsmanship and experimentation come together.

At the heart of the presentation are Ikaria Ring and Chrysler Earrings, two projects that explore different approaches to jewelry design, united by the ambition to transform artistic and architectural references into precious creations with a distinctive sculptural identity.

Ikaria Ring: When Nature’s Harmony Becomes Jewelry

The first project, Ikaria Ring, draws inspiration from ikebana, the traditional Japanese art of flower arranging, in which each element finds its meaning through a delicate balance of shapes, proportions and space.

Spencer Wood translates this philosophy into a contemporary ring with an organic structure, featuring soft, flowing lines that intertwine around a central rose-cut gemstone.

The result is a creation that seeks a balance between structure and natural movement, highlighting the beauty of individual elements through a harmonious composition.

Crafted in 14-karat yellow gold, the piece presented at Milano Jewelry Week features a fancy intense pink diamond, adding a distinctive chromatic dimension to the design. The ring can also be fully customized, from the choice of metal to the gemstone, making each interpretation unique.

Through Ikaria Ring, design becomes a way to reinterpret nature and its inherent balance, transforming a traditional aesthetic philosophy into a contemporary piece of fine jewelry.

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Chrysler Earrings: New York Architecture Meets Jewelry Design

While Ikaria Ring draws inspiration from nature and Japanese art, Chrysler Earrings are inspired by the appeal of urban architecture, particularly one of the most recognizable landmarks of the New York skyline: the Chrysler Building.

An icon of American Art Deco, the skyscraper becomes the starting point for a design exploration of geometry, symmetry and vertical lines, reinterpreted through the language of jewelry.

Spencer Wood draws on the building’s distinctive silhouette and architectural precision to create a pair of sculptural earrings, translating architectural elegance into refined proportions and precious details.

Crafted in 18-karat white gold, the earrings feature 3-carat diamonds each, with a structure defined by geometric elements and dangling details that emphasize the design’s verticality.

The creation establishes a dialogue between two seemingly distant disciplines, architecture and jewelry design, demonstrating how a monumental architectural landmark can be reimagined as an intimate, precious and wearable piece.

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From Design Research to Milano Jewelry Week

Despite drawing inspiration from different sources, Ikaria Ring and Chrysler Earrings share a design approach rooted in observation, formal exploration and the ability to transform cultural references into a distinctive personal creative language.

The preliminary sketches and three-dimensional renderings of the projects reveal the evolution of the creative process, from the initial concepts to the development of shapes, proportions and materials.

For Spencer Wood, participating in Milano Jewelry Week represents an opportunity to showcase her creative research to the public and highlight the skills and experience gained throughout her educational journey at Istituto Marangoni Milano Design.

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This experience highlights the role of education in fostering connections between creative disciplines, experimentation and the professional world, offering emerging designers the opportunity to engage with international environments and showcase their creative vision.

Through Ikaria Ring and Chrysler Earrings, Spencer Wood presents two interpretations of contemporary jewelry design, where artistic inspiration takes shape, design research meets precious materials, and creativity becomes a form of personal expression.

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Emil Gasanov Wins an Award at MERGE Film Festival 2026 with KIBAЛ / HOME

A new achievement for Istituto Marangoni Milano Design in the fields of creative innovation and artificial intelligence. Emil Gasanov, who graduated in Visual Communication Design in September 2026, has won the Audience Award at MERGE Film Festival 2026, held in Switzerland from October 1 to 4, with his short film KIBAЛ / HOME.

Presented in the Hybrid category, dedicated to productions combining traditional footage and artificial intelligence, the film received the highest audience rating among 36 competing works.

The award recognises a project that demonstrates how generative technologies can become powerful tools for artistic expression, bringing memories to life and giving shape to deeply human stories.

KIBAЛ / HOME: A Journey Through Memory, Identity and Belonging

Originally from Dagestan, a republic of the Russian Federation located in the North Caucasus, Emil Gasanov drew inspiration from his own family history to explore the meaning of home, cultural roots and belonging.

The title KIBAЛ, meaning "home" in the Lezgi language, captures the central theme of the short film: the idea that home is not simply a physical place, but a collection of memories, relationships, traditions and emotions that remain with us even when we move away from our origins.

The project began with a VHS recording from 1998, preserving footage of Emil's parents' wedding. Through generative artificial intelligence, this family archive became the starting point for a visual narrative that moves between past and present.

By digitally reconstructing locations, atmospheres and symbolic elements, the young creative reinterpreted these memories, establishing a dialogue between authentic archival footage and artificially generated sequences.

The short film explores the emotional complexity of reconnecting with one's origins and the experience, familiar to those living between different cultures, of recognising oneself in places and traditions that can feel both familiar and distant.

Adding an even more personal dimension to the project is its dedication to Emil's late cousin, Ruslan Gasanov. Ruslan had expressed his wish to visit Europe with Emil, a journey they never had the opportunity to make together. By creating the film in Europe, Emil found a way to symbolically carry his cousin's memory with him, transforming the project into an act of remembrance and affection.

The Creative Process: When AI Brings Memories to Life

From a visual perspective, KIBAЛ / HOME emerges from the intersection of cinematic influences, cultural traditions and digital experimentation.

Emil drew inspiration from the filmmaking styles of Claire Denis, Sergei Parajanov and Sedaget Kerimova, developing an aesthetic in which symbolic imagery and evocative atmospheres accompany an intimate, personal narrative.

To create the AI-generated sequences, he used several artificial intelligence tools, including Flora, Higgsfield, Sora 2, Seedance and Nano Banana Pro, integrating them with the original footage of his parents' wedding.

The creative process also involved sound design developed using Flora, an original voice recording of his mother, and illustrations and animations personally created by the filmmaker using Procreate.

The result is a short film that goes beyond technological experimentation. Artificial intelligence is not used to replace the filmmaker's memory or artistic sensitivity, but to expand his expressive possibilities, making visible emotions and atmospheres that would otherwise remain preserved in personal memories and family archives.

From Milano Film Fest to MERGE Film Festival

The recognition received at MERGE Film Festival, a Swiss event dedicated to emerging approaches to audiovisual production and artificial intelligence, represents another milestone in Emil Gasanov's creative journey.

Held for the first time in 2026, the festival brought together works exploring the potential of emerging technologies in filmmaking, creating a space for dialogue between visual experimentation and new forms of storytelling.

KIBAЛ / HOME had already gained visibility through its selection for Milano Film Fest in June 2026 and as part of the collaboration between Istituto Marangoni Milano Design and RED-EYE, an international editorial platform dedicated to contemporary visual culture.

The project was among eight short films created by Visual Communication Design students during a masterclass directed by Ced Pakusevskij, director and art director, as part of the educational programme led by Paola Rolli, Programme Leader of the department.

The experience encouraged students to explore emerging audiovisual languages by combining filmmaking, animation, CGI and generative artificial intelligence, while keeping their individual creative vision at the heart of the process.

Technological Innovation and Human Sensitivity

For Istituto Marangoni Milano Design, Emil Gasanov's achievement is a concrete example of the value of an educational approach that combines advanced technological skills, artistic research, critical thinking and storytelling.

The project demonstrates how artificial intelligence can become an integral part of the creative process without replacing the role of the filmmaker, instead opening up new possibilities for interpreting reality, revisiting memories and giving shape to personal stories.

In an audiovisual landscape undergoing constant transformation, KIBAЛ / HOME reminds us that the future of visual communication depends not only on the technologies available, but above all on the sensitivity, cultural awareness and creative vision of those who use them to give meaning to images.

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MILANO DESIGN WEEK
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CONTACTS

Enrolment information for new students

design@istitutomarangoni.com
+39 02 3858 5247


Student Service Office

academicservices.design@istitutomarangoni.com
+39 02 7631 6680

Istituto Marangoni Milano

Via Pietro Verri, 4, 20121 Milano MI