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Mumbai

Mumbai pulses with life. It is the subcontinent’s largest, richest and most populous city: this is why Istituto Marangoni Mumbai has such a fascinating and rich blend of local cultures to draw upon. Alongside the sleek, modern side of hi-tech India exists an abundance of craftsmanship traditions that form the basis of the school’s unique approach to luxury. Embroidery and printing, both traditional ways of creating intricate designs for exclusive products, are one area of emphasis. Another is propelling innovation, be that by embracing the contemporary or by tapping into the vibrancy of the traditions that are so deeply tied to the school’s location. But while participants can expect to have an experience shaped by this particular location, the school’s methodology boasts an international flair and is fed by multicultural stimuli, harnessing the best of what the world has to offer.

 

ACADEMIC COURSES & GUIDANCE
FIELDS OF STUDY

Discover a world of creative possibilities at Istituto Marangoni Mumbai, where a fusion of creativity and expertise awaits in the fields of fashion design, fashion business, fashion styling and design.

EXPERIENCE MUMBAI THROUGH VIDEO

Explore Istituto Marangoni Mumbai through video: where craftsmanship, luxury, and innovation meet in India’s most vibrant city. Discover how students combine traditional embroidery and printing with modern creativity and international perspectives to shape the future of fashion and design.

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In Conversation with Matthew Rhoades

In Conversation with Matthew Rhoades, Former Creative Director • Nike

As part of Design Week, Istituto Marangoni Mumbai hosted an In Conversation between Matthew Rhoades, IM Mentor of Product Design programme and Kristian Steinberg, Director of Education at Istituto Marangoni Mumbai campus. An evening where the industrial designer and former Creative Director of Nike shared lessons from a 35-year career and what it takes to build a career in product design.

From being the first designer at Trek Bicycles and working on Tour de France bikes to 11 years at Nike, where he led product categories from eyewear and watches to bags and yoga equipment, Matthew has collected more than 30 patents along the way.

Drawing on those experiences, Matthew spoke to students about the choices that shape a career, from finding the right first job and building a portfolio that reflects who they are, to staying curious, working with AI and knowing when to build a brand of their own.

This guide brings those lessons together for anyone considering a product design career.

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From Trek Bicycles to Nike: How Matthew Rhoades Built His Design Career

Learning to Design With Your Hands

Matthew grew up outside Seattle, the youngest of four brothers, in a family of designers: an architect father, a fashion-designer mother, a brother who designs cars. By ten he had built a go-kart that hit almost 90 km/h with a bigger motor, and his parents never told him to stop.

That curiosity took him to the highest level of cycling. His first bike ended up in the Museum of Modern Art, and a later design was banned from the Tour de France twice, which he takes as a compliment: too good for the old rules.

Finding the Work That Makes You Happy

When Matthew graduated in the early 1990s, the internet boom pulled most classmates towards technology. He followed, spent time in San Francisco on startups, and it became the least happy chapter of his career. He was drawn back to sport and to Nike, where his best work began, and later ran a design school programme in China for about ten years.

"If I am not happy, I am not going to create anything remotely close to what I have created in my career."

His advice: look for a brand that reflects their own values, even under pressure to accept any job.

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What You Should Know Before Starting a Product Design Career

It's About the Story, Not Just the Product

The power of design, Matthew says, starts with a story. In 2005, he sat in a Nike boardroom as executives announced the company would stop selling products and start selling experiences, story first, product second. Retail interiors, displays, and even the mannequins were redesigned to match.

The results, by his account: Nike sells roughly 50 pairs of shoes every second, with margins of 70 per cent or more against 8 to 13 per cent for a typical consumer product, because people are not paying for a shoe, they are paying for what it means. For a young designer, the lesson is practical: a great jacket on a table will not persuade anyone on its own, but the story behind it might.

"It is not just about what you do. It has more to do with why you do it."

Why Originality Matters More Than Trends

Matthew is not fond of the word trend, since it suggests something temporary; he'd rather students aim for work that is iconic and made to last, which is also better for sustainability and for business.

His clearest example is the Nike Air Max: by his estimate, the original air-bag technology generated 40 to 50 billion dollars, while lookalikes earned a fraction of that. To get there, take a risk on a new silhouette, proportion or material, and bring your own world into the work, the way Matthew's love of music finds its way into stitching.

"You cannot be original without trying to be original."

 

How to Land Your First Job in Product Design

The first job sets the direction for a career in product design, so Matthew's advice starts there. 

Start at a Consultancy to Build Range

Matthew recommends a consultancy, which exposes young designers to many brands and briefs so a portfolio grows faster, whereas joining a single brand can lead to a narrow label: a designer who only does trims for a large retailer will become exactly that. He speaks from experience: around 25 years ago, Apple wanted him as a CAD modeller rather than a designer. He declined. 

Stay 3 to 5 Years in Your First Role

Matthew suggests staying three to five years in a role, long enough to master the process before it risks becoming formulaic.

Gap Year, Internship or Job: Which Is Right for You?

Matthew himself took five years between high school and university, working in Alaska, travelling Europe and spending nine months as a florist, before enrolling knowing exactly what he wanted. His caution: tools change fast, so a long absence can leave a designer behind. To keep learning while earning, try work close to the field, whether retail, a café, a part-time design role, or a job abroad.

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How to Stand Out in a Product Design Career

Build a Portfolio That Shows Who You Are

At Nike, Matthew reviewed around 7,000 résumés a month and hired perhaps two people. Skills are common; voice is what separates a candidate.

"You get a job by being original, by being yourself, and by playing to your strengths."

In practice, let the portfolio say what you're good at, whether that's CAD or an inspiration drawn from music or upbringing. A portfolio by someone who doesn't know who they are blends into the crowd. 

Tell the Story Behind Every Project

Matthew encourages two projects when a brief deserves it: the one asked for, and one that shows the potential.

"The object should be a manifestation of the story."

Grow Your Network and Protect Your Reputation

Matthew's rule is simple: be nice to everyone, even when it is difficult. Classmates and colleagues resurface years later; the day before his talk, he received a message from someone he had last spoken to 20 years earlier. A network built on goodwill is worth more than any keyword in a résumé.

Kindness is not passivity; it means choosing which battles are worth fighting, and having a calm conversation when something matters. It's also a hiring criterion: at Nike he chose candidates for attitude over skills, since skills can be taught.

"I can train them. I cannot train them to be happy."

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Will AI Change a Career in Product Design?

Use AI as a Tool, Not a Replacement

Few questions worry students more than AI. Matthew's view: technology must remain human. AI without direction from a person produces poor results, but AI shaped by a user, with clear intent, becomes an extension of that person's own creativity.

"Play with it, dabble with it, learn how to manipulate it, and do not let it manipulate you."

He encourages designers to form their own opinion of it. 

Stay Curious and Flexible

Matthew trained in an analogue world, then watched Photoshop, Illustrator and 3D CAD become essential almost overnight. Asked what harms good design most, his answer was stagnation: try new things before dismissing them, and understand why when something doesn't work.

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Dreaming of Your Own Brand? Advice for Future Founders

Find a Business Partner Early

When Matthew asked how many students wanted their own label, half the room raised a hand. His advice: do not do it alone. Behind many great companies stands a creative and a business partner: Steve Jobs had Steve Wozniak, Nike had Phil Knight and Bill Bowerman. Look for a business mind of your own.

Test Your Idea Before You Produce It

A designer might create the perfect raincoat, but the worst decision is to rush it into production; share it first with a few trusted people who can say honestly whether they love it too. The discussion recalled Chuck Jordan of General Motors, who liked to say he saw with his eyes, not his ears: an idea remains words until it has been made and worn.

 

What Students and Parents Asked

Is a Design Career Stable Enough?

During 'In Conversation with Matthew Rhoades', a career counsellor asked how families who value stability can support a child drawn to design. Matthew leans towards trusting young adults who have already committed, noting his own daughter is a hairstylist, a profession where building a business takes about ten years. His suggestion: an honest conversation about what stability really means.

"There is stability, but you have to earn it."

A student can ask for three to five years to reach a professional level in a field they love, and parents can then step back.

Why Doesn't India Have Its Own Nike?

Another question asked why India, with its wealth of craft and storytelling, has not produced its own global sportswear brand. Matthew was candid he was still learning after a week in the country, but pointed to the entrepreneurial ecosystem in the US, with angel investors and pitch events almost every weekend. His suggestion for designers facing headwinds at home: start elsewhere, then bring the brand back.

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Key Takeaways for Starting a Career in Product Design

  • Choose a brand that reflects your values.
  • Remember the power of design: put the story first, and let the product be its proof.
  • Start at a consultancy, and give your first role three to five years.
  • Build a portfolio around your own strengths and a clear voice.
  • Treat reputation and community as part of your craft.
  • Use AI as a tool you steer, and stay curious.
  • If you plan to launch a brand, find a business partner and test your idea first.

 

Istituto Marangoni Mumbai believes in connecting with industry leaders like Matthew Rhoades to give students a first-hand view of how a product design career is built. Different sessions hosted as part of Design Week, let students hear directly from experienced professionals about the choices that shape a career, from finding a first job and building a portfolio to working with AI and launching a brand.

 

Want to begin a career in Product Design at Istituto Marangoni Mumbai?

For those looking to build a career in design, learning from experienced industry professionals can provide valuable insight into both the creative and practical aspects of the field. At Istituto Marangoni Mumbai, students can explore these opportunities through programmes such as the Undergraduate Programme in Product Design with guidance from industry mentors. The programme offers an opportunity to develop design skills while gaining a deeper understanding of the industry and its evolving practices.

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Istituto Marangoni Mumbai x Zara

The Mumbai School in collaboration with Zara to deliver Fashion Retail Training

This season, Istituto Marangoni Mumbai partnered with Zara to deliver an immersive styling and trend training programme for the brand's retail teams. It came from a simple idea: the person on the shop floor deserves to understand fashion the way a designer does, not just the version of it printed on a hangtag.

The partnership itself is part of a longer tradition. Every year, Istituto Marangoni Mumbai's career services team runs training of this kind with a different luxury brand, and this time it was Zara's turn. Led by industry experts Kayaan Contractor and Aniket Satam, the session brought Zara's retail employees into a classroom setting for a day built around trend, colour and culture.

The aim was to help retail professionals speak about fashion with genuine confidence, rather than reciting facts from a briefing sheet in conversations that happen dozens of times a day on the shop floor.

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The Idea Behind the Training

Most fashion retail training stops at product knowledge: what is in stock, what it costs, how it fits. This programme was built on a different premise.

If someone is going to sell fashion, the thinking goes, they should be able to talk about it the way it was designed to be understood, not just point to a rail and read out a price tag. That is the reasoning that shaped this styling training from the outset, and it set the tone for the rest of the day.

Rather than treating retail staff as an audience for a product briefing, Istituto Marangoni Mumbai treated them as students of fashion style itself, walking them through the same vocabulary and reasoning a design studio would use to build a collection.

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The Industry Experts Behind the Training

Bringing that thinking to the shop floor took people who work in fashion every day.

Kayaan Contractor is a Mumbai-based fashion stylist, image-maker and educator, and a pioneer of fashion content creation in India, recognised through her platform Shapeshifter and the GQ Style Awards Digital Don title. She has also worked with retail brands such as H&M India on conscious fashion, which gives her a view of fashion that reaches well beyond the studio.

Aniket Satam is a fashion designer, brand consultant and lecturer, and the founder of the labels A+ and Pink Porcupines. A SketchtoStore winner and CMAI Star Designer of the Year, he has shown at Lakme Fashion Week and Bombay Times Fashion Week and designs for the young urban shopper Zara's teams meet every day.

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What Happened Inside the Styling Training Session
A Trend Education Module Built Around the Season

Delivered through the eyes of a working stylist and a working designer, the training opened with a module on trend education. Teams were introduced to the season's key directions, the same kind of analysis that shapes a design studio's own process, translated for people who meet customers face to face every day.

 

Pop Culture and Digital Trends in the Curriculum

Alongside trend and colour, the curriculum brought in cultural touchpoints, pop culture references and the pace of digital virality that shapes how fashion spreads today.

This part of the training reflected how differently trends move now, often starting online and reaching the shop floor faster than a traditional forecasting cycle. It is familiar ground for Aniket, whose collections are known for vintage pop nostalgia and bold pattern play.

 

How Cultural Touchpoints Shaped the Conversation

A shopper asking why a certain colour or silhouette is suddenly everywhere this season is, in effect, asking a trend question, even if it doesn't sound like one. This part of the fashion retail training gave staff the language and the background to answer it, rather than defaulting to "it's popular right now."

This is also where the session went beyond a standard fashion styling training focused narrowly on outfit pairing, giving teams a fuller picture of why the season looks the way it does, not just a checklist for how to style it. Kayaan's own work, from gender-neutral styling to campaigns on beauty standards, shows how closely culture and fashion are tied.

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What Retail Teams Walked Away With

The result, as the brief behind this training puts it, is retail professionals who don't just know the product, they know the season.

The training gave teams a foundation in:

  • Understanding trends: Recognising why a colour, silhouette or style is gaining relevance.
  • Explaining fashion: Turning that understanding into a simple, natural conversation with customers.
  • Connecting culture and fashion: Relating trends to what customers may already be seeing online, in pop culture or elsewhere.
  • Looking beyond the product: Understanding fashion principles that aren't tied to a particular Zara collection or season.

 

Looking to Build a Career in Fashion Retail or Styling?

Training like this reflects the kind of hands-on, industry-facing learning Istituto Marangoni Mumbai builds into its programmes, connecting classroom fundamentals like colour theory and trend forecasting to a live retail environment.

For those interested in a career in fashion retail or communication, Istituto Marangoni Mumbai's Fashion Communication & Image course covers similar fundamentals, taught by tutors and industry mentors, including Kayaan Contractor, who bring real projects like this one into the classroom.

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I'M MENTORS
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Inspiring and supporting students while helping them grow their skills, Mentors are a go-to person for future fashion and design talents.

CONTACTS

Enrolment information for new students

mumbai@istitutomarangoni.com
t: +91 2262613175

Ceejay House, F Block, Shivsagar Estate Dr. Annie Besant Road

Worli, Mumbai 400 018

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