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Milano The School of Design

The School of Design

Milan is synonymous with design, and no wonder. It unites a rich history with a continued vital role in the global design landscape that is always respectful of the past but has an eye towards the future. This unique approach to research and experimentation is also reflected in the Milano Design School, where participants will be challenged with projects from artisanal furniture to high-end inspirational design for interiors, products, and visual graphics. All courses at Istituto Marangoni Milano Design School are underpinned by a contemporary aesthetic approach, and a heavy dose of fashion cross-pollination, thanks to the luxury and fashion found around every corner. This design culture is closely linked with the city’s design district and the community of creative designers who are drawn to study, work and live in this fertile environment, leading to an exclusive mix of cutting-edge design paired with new technologies, and an eye for commerce that successfully combines theory with practice.

 

EXPERIENCE MILANO THROUGH VIDEO

Discover Istituto Marangoni Milano Design through video: a hub where Italian tradition meets innovation in interior, product, and visual design. Experience how fashion influences, new technologies, and Milan’s design district shape tomorrow’s creative talent.

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FIELDS OF STUDY

Discover a world of creative possibilities at Istituto Marangoni Milano, where a fusion of creativity and expertise awaits in the fields of Interior design, Product Design and Visual Design.

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Superstudio kicks off Design Week 2026: IM Milano Design takes the spotlight with vision, talent and a culture of design

Milan has officially kicked off Design Week 2026 with the press conference presenting Superstudio Design, held in recent days at Palazzo Reale. A key moment that previewed the scenarios, key players and content of the event, confirming its international reach and strategic role within the Fuorisalone landscape.

In this context, Istituto Marangoni Milano Design stood out for its role as an educational and cultural hub, capable of connecting emerging talent, industry and a contemporary design vision.

Giulio Cappellini’s vision: design, city and culture

Summarising the vision of Superstudio, Giulio Cappellini, Art Director and Brand Ambassador of Istituto Marangoni Milano Design, highlighted the importance of Design Week within an evolving city:

“Milan is fortunately growing, and a city that grows cannot be monocentric, but must be polycentric. We need to bring design and art down from their pedestals and connect them with the public, creating open, active and inclusive spaces.”

 SuperstudioDesign Conf.Stampa 4842

 

This reflection was accompanied by a broader vision on the cultural value of Italian design:

“The cross-contamination between art, architecture and design will be very strong. In Italy, we produce excellent manufacturing, but above all we must export culture—something the world truly envies us for. The quality of both the design and the product is fundamental.

We have therefore conceived an open space, where the interaction between products, artworks, installations and visitors is direct, free and without barriers.”

Guests and key speakers of the conference

The special guest of the conference was designer and art director of Moooi, Marcel Wanders, who had already taken part in a talk at the school in recent months. On this occasion, he shared insights on the brand’s return to Superstudio Più with the project “Moooi 25 Years Young & Promising.”

 SuperstudioDesign Conf.Stampa 4960

 Also speaking at the conference were Tommaso Sacchi, Gisella Borioli, Tommaso Borioli, Laura Vella and Fabio Guida, with moderation by Nicolas Ballario.

Istituto Marangoni Milano Design at the centre of the international scene

Within this context, Istituto Marangoni Milano Design reaffirms its role as a leading cultural player, actively contributing to shaping the contemporary language of design.

The projects developed in collaboration with Alessi and Cappellini represent a clear expression of this vision: a bridge between education and industry that enhances the talent of new generations and strengthens their role on the international stage.

Towards a new idea of Design Week

Superstudio Design 2026 emerges as an open and interdisciplinary platform, where art, architecture and design interact fluidly, giving rise to an inclusive and contemporary narrative.

A context in which Istituto Marangoni Milano Design reinforces its central role within Milan Design Week, promoting a forward-looking culture of design.

 

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Maison Margiela Residences: the Master’s program as a real design laboratory

 Within the contemporary landscape of design education, the ability to integrate academia and industry represents a distinctive element. The collaboration between Istituto Marangoni Milano Design and Maison Margiela, developed within the Master’s Program in Interior Contract Design, stands as a genuine educational case study.

The Maison Margiela Residences brief is not a theoretical exercise, but a structured simulation of a real project: 144 luxury residences on Yas Island, Abu Dhabi, designed for an international high-net-worth clientele. Students are asked to interpret a well-established global identity while confronting cultural, climatic, strategic, and market constraints.

This type of experience transforms the Master’s program into a professional laboratory, where methodology, critical vision, and design responsibility become as central as creativity itself.

From Brand Analysis to the Construction of a Design Mindset

Within the Master’s program, the first step is not form, but a deep analysis of the brand. Students work to understand the founding principles of the Maison — deconstruction, material honesty, tonal whites, memory, and visual silence — translating them into a coherent spatial grammar.

Reflecting on her initial approach, student Hana Giulia Khamash describes a key moment of methodological awareness:

“What struck me immediately was the idea of restraint. The project does not ask for a strong visual statement, but for a residential environment that translates Maison Margiela’s philosophy into something lived and intimate.”

For her, the real educational challenge lay in understanding that value lies not in visual impact, but in atmosphere:

“I realized the concept could not rely on scenic effect, but on a diffuse and silent storytelling. I asked myself: how can a space be intellectually powerful while remaining subtle?”

This reflection highlights how the Master’s program encourages a crucial shift: from instinctive creative gestures to a conscious, argued, and strategic design approach.

Professional Method: Tools and Responsibility

The project requires the use of tools typical of professional practice: advanced moodboards, in-depth material research, three-dimensional modeling, and the study of natural light.

Hana emphasizes the importance of rigor in constructing a material language:

“With a palette of whites and neutrals, the difference between a flat space and a sophisticated one lies entirely in texture. Plaster, travertine, brushed metals, and textiles need to be tested and understood before being introduced into the project.”

Her reflection also extends to the temporal dimension of materials:

“The brief speaks about memory and authenticity. I’m looking for finishes that react to light and age well over time, especially considering the maritime atmosphere of Yas Island.”

This approach demonstrates how the Master’s program does not simply develop aesthetic skills, but builds a design culture grounded in analysis, research, and technical responsibility.

Interpreting, Not Imitating

One of the most formative aspects of the experience is the need to interpret a strong identity without reducing it to mere aesthetics. Hana clearly highlights this challenge:

“For Margiela, deconstruction does not mean fragmentation, but revealing how things are made. In space, this translates into visible joints, expressed transitions, and structures that are highlighted rather than hidden.”

She adds:

“The biggest challenge is balance. It would be easy to imitate superficial elements, but the real work is understanding the thinking behind the aesthetic. If the result aligns with the Maison’s philosophy while also reflecting my sensitivity toward proportion and atmosphere, then the balance is successful.”

The Master’s Program as a Bridge to the Profession

Through this project, the Master’s in Interior Contract Design establishes itself as a transition platform between academia and professional practice. Students learn how to engage with international brands, interpret a specific target audience, and develop projects that respond coherently to complex cultural contexts.

The collaboration with Maison Margiela demonstrates how education can transform into a concrete experience, training future designers in critical thinking, design responsibility, and strategic vision.

In this sense, the Master’s program becomes a true case study of applied education: an educational model that prepares professionals capable of operating with awareness within the global landscape of contemporary design.

 

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CONTACTS

Enrolment information for new students

design@istitutomarangoni.com
+39 02 3858 5247


Student Service Office

academicservices.design@istitutomarangoni.com
+39 02 7631 6680

Istituto Marangoni Milano

Via Cerva, 24, 20122 Milano MI

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