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Milano The School of Design

The School of Design

Milan is synonymous with design, and no wonder. It unites a rich history with a continued vital role in the global design landscape that is always respectful of the past but has an eye towards the future. This unique approach to research and experimentation is also reflected in the Milano Design School, where participants will be challenged with projects from artisanal furniture to high-end inspirational design for interiors, products, and visual graphics. All courses at Istituto Marangoni Milano Design School are underpinned by a contemporary aesthetic approach, and a heavy dose of fashion cross-pollination, thanks to the luxury and fashion found around every corner. This design culture is closely linked with the city’s design district and the community of creative designers who are drawn to study, work and live in this fertile environment, leading to an exclusive mix of cutting-edge design paired with new technologies, and an eye for commerce that successfully combines theory with practice.

EXPERIENCE MILANO THROUGH VIDEO

Discover Istituto Marangoni Milano Design through video: a hub where Italian tradition meets innovation in interior, product, and visual design. Experience how fashion influences, new technologies, and Milan’s design district shape tomorrow’s creative talent.

ACADEMIC COURSES & GUIDANCE
FIELDS OF STUDY

Discover a world of creative possibilities at Istituto Marangoni Milano, where a fusion of creativity and expertise awaits in the fields of Interior design, Product Design and Visual Design.

ENTRY REQUIREMENTS, VALIDATIONS & SCHOLARSHIPS
Latest Updates
The Intelligence of Design: the future of living with Poltrona Frau

Istituto Marangoni Milano Design announces the launch of the new Industry Project developed in collaboration with Poltrona Frau, which will be the focus of the first semester of the Academic Year 2025/2026 for the courses in Interior Design, Interior Contract Design, Luxury Boutique Hotel Interior Design, and Advanced Interior Design Semester.

The project, titled “The Intelligence of Design – Convergence between natural morphogenesis and technology”, invites students to explore a new vision of interior design, in which aesthetics, technology, and well-being merge into an evolutionary and sensitive language.

The research theme, “Design Awakens,” is not only the guiding thread of the project with Poltrona Frau, but will also be the main theme of Design Week 2026, marking a clear and shared vision of the future of design: a design capable of “awakening,” adapting, perceiving, and responding to the needs of people and the environment.

In line with the values of Poltrona Frau, synonymous with artisanal excellence and timeless refinement, students are called to reinterpret the concept of living through spaces and furnishings able to perceive, anticipate, and adapt to users’ needs.

The brief proposes the design of a Poltrona Frau–branded villa as a conceptual laboratory for a Total Living experience, in which comfort becomes dynamic, sensorial, and proactive. The challenge lies in integrating a form of “non-human intelligence” into the project language, drawing inspiration from natural growth processes and morphogenesis, and transforming them into evolutionary and adaptive interior design solutions.

Through this Industry Project, Istituto Marangoni Milano Design strengthens the dialogue between education and industry, offering students the opportunity to engage with an iconic Made in Italy brand and to develop a design methodology capable of combining formal beauty, technological innovation, and human well-being. The expected outcome is a new idea of luxury: no longer just aesthetics, but a living, intelligent, and deeply personalized experience.

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FRANK, The Truth Project: Anna Rebekka Hofer finalist of the ADCE Awards

FRANK – The Truth Project, created by Anna Rebekka Hofer, a student of the BA (Hons) Communication & Visual Design course at Istituto Marangoni Milano Design, has been selected as a finalist at the Art Directors Club of Europe Awards (ADCE), one of the most authoritative recognitions in the European creative and communication landscape.

Although she did not win a medal, being shortlisted represents a highly valuable milestone and an important international recognition.

Frank

With the help of Paola Rolli, Communication & Visual Design Program Leader, Anna developed a project that stems from a critical reflection on the role of images in the era of artificial intelligence, where the speed of visual content production has also amplified the risks of manipulation and misinformation. In this context, key concepts such as transparency, traceability of sources, and awareness of the creative process become central.

FRANK presents itself as a conceptual “reverse AI” system: an artificial intelligence that does not simply generate images, but reveals their origins, their journey, and the creative steps behind them, transforming technology from a potential threat into a tool for truth and responsibility.

Let’s find out more through Anna’s words.

How did FRANK – The Truth Project come to life?
“It started from a personal interest in the concept of truthful communication and from a simple question: what makes an image authentic? By exploring this topic, I also moved into a more philosophical reflection, which I then connected to the world we live in today and to emerging technologies, especially artificial intelligence.”

What pushed you to connect the theme of truth specifically to AI?
“Today we often struggle to distinguish what is real from what is artificial. Images created with artificial intelligence make this boundary increasingly subtle. At a certain point, I asked myself: if AI is so powerful, why not use it to solve this problem instead of creating new ones? That’s how FRANK was born, as a system that works on transparency and shows the process behind images.”

In your project you talk a lot about the process and what lies behind an image. Why is it so important?
“Artificial intelligence does not really create from nothing: it draws from content that already exists online. There is always a human-made component, a human thought from which something new is born. Nothing truly starts from zero. For me, it was important to make this process visible and not just show the final result.”

What was the biggest challenge in developing the project?
“The biggest difficulty is truly understanding how image-generation systems work, because these processes are not transparent and require very advanced expertise. But the challenge that stimulated me the most was another one: developing a critical gaze. Today, in new media, we should learn not to stop at the ‘wow’ effect and become more aware, more responsible, and a bit more skeptical about what we see.”

What did it mean for you to be shortlisted at the ADCE Awards?
“It was a unique experience that I will always carry with me. Being in Barcelona, living that atmosphere, connecting with other creatives, and seeing so many projects was incredible. It was a very strong confirmation: this is the environment I want to be part of. It’s beautiful to see how an insight that at first might seem simple can grow and become something powerful in a creative context.”

What do you take away from this experience?
“I understood how our work can be an important voice for society. We have a great responsibility, because we can influence many people, and this has really struck me.
I would like to thank Istituto Marangoni, Director Sergio Nava and especially my tutor Paola Rolli, who allowed me to live this experience, enter this world and learn so much. I hope this is only the beginning of a wonderful journey.”

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MILANO DESIGN WEEK
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CONTACTS

Enrolment information for new students

design@istitutomarangoni.com
+39 02 3858 5247


Student Service Office

academicservices.design@istitutomarangoni.com
+39 02 7631 6680

Istituto Marangoni Milano

Via Cerva, 24, 20122 Milano MI

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