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Milano The School of Design

The School of Design

Milan is synonymous with design, and no wonder. It unites a rich history with a continued vital role in the global design landscape that is always respectful of the past but has an eye towards the future. This unique approach to research and experimentation is also reflected in the Milano Design School, where participants will be challenged with projects from artisanal furniture to high-end inspirational design for interiors, products, and visual graphics. All courses at Istituto Marangoni Milano Design School are underpinned by a contemporary aesthetic approach, and a heavy dose of fashion cross-pollination, thanks to the luxury and fashion found around every corner. This design culture is closely linked with the city’s design district and the community of creative designers who are drawn to study, work and live in this fertile environment, leading to an exclusive mix of cutting-edge design paired with new technologies, and an eye for commerce that successfully combines theory with practice.

 

EXPERIENCE MILANO THROUGH VIDEO

Discover Istituto Marangoni Milano Design through video: a hub where Italian tradition meets innovation in interior, product, and visual design. Experience how fashion influences, new technologies, and Milan’s design district shape tomorrow’s creative talent.

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ACADEMIC COURSES & GUIDANCE
FIELDS OF STUDY

Discover a world of creative possibilities at Istituto Marangoni Milano, where a fusion of creativity and expertise awaits in the fields of Interior design, Product Design and Visual Design.

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Maison Margiela Residences: the Master’s program as a real design laboratory

 Within the contemporary landscape of design education, the ability to integrate academia and industry represents a distinctive element. The collaboration between Istituto Marangoni Milano Design and Maison Margiela, developed within the Master’s Program in Interior Contract Design, stands as a genuine educational case study.

The Maison Margiela Residences brief is not a theoretical exercise, but a structured simulation of a real project: 144 luxury residences on Yas Island, Abu Dhabi, designed for an international high-net-worth clientele. Students are asked to interpret a well-established global identity while confronting cultural, climatic, strategic, and market constraints.

This type of experience transforms the Master’s program into a professional laboratory, where methodology, critical vision, and design responsibility become as central as creativity itself.

From Brand Analysis to the Construction of a Design Mindset

Within the Master’s program, the first step is not form, but a deep analysis of the brand. Students work to understand the founding principles of the Maison — deconstruction, material honesty, tonal whites, memory, and visual silence — translating them into a coherent spatial grammar.

Reflecting on her initial approach, student Hana Giulia Khamash describes a key moment of methodological awareness:

“What struck me immediately was the idea of restraint. The project does not ask for a strong visual statement, but for a residential environment that translates Maison Margiela’s philosophy into something lived and intimate.”

For her, the real educational challenge lay in understanding that value lies not in visual impact, but in atmosphere:

“I realized the concept could not rely on scenic effect, but on a diffuse and silent storytelling. I asked myself: how can a space be intellectually powerful while remaining subtle?”

This reflection highlights how the Master’s program encourages a crucial shift: from instinctive creative gestures to a conscious, argued, and strategic design approach.

Professional Method: Tools and Responsibility

The project requires the use of tools typical of professional practice: advanced moodboards, in-depth material research, three-dimensional modeling, and the study of natural light.

Hana emphasizes the importance of rigor in constructing a material language:

“With a palette of whites and neutrals, the difference between a flat space and a sophisticated one lies entirely in texture. Plaster, travertine, brushed metals, and textiles need to be tested and understood before being introduced into the project.”

Her reflection also extends to the temporal dimension of materials:

“The brief speaks about memory and authenticity. I’m looking for finishes that react to light and age well over time, especially considering the maritime atmosphere of Yas Island.”

This approach demonstrates how the Master’s program does not simply develop aesthetic skills, but builds a design culture grounded in analysis, research, and technical responsibility.

Interpreting, Not Imitating

One of the most formative aspects of the experience is the need to interpret a strong identity without reducing it to mere aesthetics. Hana clearly highlights this challenge:

“For Margiela, deconstruction does not mean fragmentation, but revealing how things are made. In space, this translates into visible joints, expressed transitions, and structures that are highlighted rather than hidden.”

She adds:

“The biggest challenge is balance. It would be easy to imitate superficial elements, but the real work is understanding the thinking behind the aesthetic. If the result aligns with the Maison’s philosophy while also reflecting my sensitivity toward proportion and atmosphere, then the balance is successful.”

The Master’s Program as a Bridge to the Profession

Through this project, the Master’s in Interior Contract Design establishes itself as a transition platform between academia and professional practice. Students learn how to engage with international brands, interpret a specific target audience, and develop projects that respond coherently to complex cultural contexts.

The collaboration with Maison Margiela demonstrates how education can transform into a concrete experience, training future designers in critical thinking, design responsibility, and strategic vision.

In this sense, the Master’s program becomes a true case study of applied education: an educational model that prepares professionals capable of operating with awareness within the global landscape of contemporary design.

 

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Mariana Prestes wins the iF Design Award with the project “VIDA”

A new international recognition highlights the creative excellence emerging from Istituto Marangoni Milano Design. Mariana Prestes, member of the Prisma Project, has been awarded the prestigious iF Design Award with her project VIDA, one of the most internationally recognised benchmarks of design excellence.

Originally developed during her years at Istituto Marangoni Milano Design, VIDA was conceived as part of the creative and experimental environment fostered by the School. The project evolved from an academic exploration into a refined design proposal, demonstrating how ideas born in the classroom can grow into concepts capable of standing out on the global stage.

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The iF Design Award recognises projects that combine aesthetic quality, innovation and meaningful design thinking. With VIDA, Mariana Prestes developed a concept distinguished by its symbolic depth and refined product language, translating research, experimentation and design methodology into a contemporary solution.

This achievement reflects the value of a learning environment where experimentation, critical thinking and industry-oriented design processes guide students in transforming ideas into tangible and competitive outcomes.

Mariana Prestes’ award further confirms the role of Istituto Marangoni Milano Design as a creative hub where emerging designers develop the skills, vision and methodology needed to engage with the international design landscape.

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MILANO DESIGN WEEK
Ready to fully immerse yourself in the world of design?
Step into a unique creative journey and discover the exhibitions developed by our best talents, in collaboration with leading industry players.
VIRTUAL TOUR

Join us on an immersive journey through the corridors of creativity and innovation at Istituto Marangoni's School of Design.

CONTACTS

Enrolment information for new students

design@istitutomarangoni.com
+39 02 3858 5247


Student Service Office

academicservices.design@istitutomarangoni.com
+39 02 7631 6680

Istituto Marangoni Milano

Via Cerva, 24, 20122 Milano MI

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