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Milano The School of Design

The School of Design

Milan is synonymous with design, and no wonder. It unites a rich history with a continued vital role in the global design landscape that is always respectful of the past but has an eye towards the future. This unique approach to research and experimentation is also reflected in the Milano Design School, where participants will be challenged with projects from artisanal furniture to high-end inspirational design for interiors, products, and visual graphics. All courses at Istituto Marangoni Milano Design School are underpinned by a contemporary aesthetic approach, and a heavy dose of fashion cross-pollination, thanks to the luxury and fashion found around every corner. This design culture is closely linked with the city’s design district and the community of creative designers who are drawn to study, work and live in this fertile environment, leading to an exclusive mix of cutting-edge design paired with new technologies, and an eye for commerce that successfully combines theory with practice.

 

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Poltrona Frau DW 2026: new interpretations of contemporary living

In occasion of Design Week 2026, Istituto Marangoni Milano Design presents a project developed in collaboration with Poltrona Frau, exploring new interpretations of contemporary living through a series of total living proposals conceived by students from the Master’s programs in Interior Design, Interior Contract, and Luxury Boutique Hotel Interior Design.

The project transforms a villa into a dynamic spatial narrative, articulated through immersive and multi-context environments. Within this framework, architecture, design, and lifestyle converge into responsive systems, where integrated technologies—such as sensors, adaptive lighting, and digital interfaces—enable spaces to adjust in real time to users’ needs. At the same time, material research shapes a deep sensory experience, defined by surfaces, textures, and details that reflect the brand’s values of craftsmanship and refinement. Here are two of the student projects.

ALENTO: Architecture That Breathes

Project by Avi Arora

With ALENTO, Avi Arora develops a reflection on architecture as a living system, capable of naturally adapting to environmental conditions and everyday needs. Set in Ahmedabad, within a complex climatic context, the project stems from the intention to rethink thermal comfort through passive and intelligent strategies.

The core idea is that of a “breathing” space, where the villa is no longer a static container but an organism that evolves over time. As the designer explains, “ALENTO imagines the villa as a living system that responds to changing climatic conditions and user needs,” creating an intuitive and comfortable environment without relying on invasive mechanical systems.

Alento

Within this process, the dialogue with Poltrona Frau becomes fundamental in defining a coherent design language. Rather than a purely formal reference, the brand is reinterpreted through its core values: “craftsmanship, proportion, and refinement are translated into spatial expression,” with particular attention to material quality and the tactile dimension of the space. Leather, as an iconic element, becomes a key reference guiding surfaces and detailing.

One of the main challenges was the integration of advanced technologies, addressed by avoiding any overt technical expression. The aim was to maintain a balance between innovation and identity: “the complexity was translating experimental technologies into a coherent and refined architectural language,” where the technical component never dominates the space.

The result is an environment that responds in a quiet and natural way. The space adapts to light, temperature, and presence, offering a fluid and almost imperceptible experience: “the user does not need to control the space—the space takes care of the user,” fostering well-being, focus, and relaxation.

While incorporating technologies that are still under development, the project aligns with a realistic vision of the near future. As Arora notes, “many of these systems are rapidly evolving,” opening the possibility for adaptive architectures like ALENTO to soon become reality.

 Screenshot 2026 04 28 alle 10.13.59

Gen Z Living: Identity, Material, and Connection

Project by Maria Reiche

While ALENTO explores environmental and technological dimensions, Maria Reiche’s project focuses on the relationship between space, identity, and culture, interpreting the needs of Generation Z.

Starting from the awareness that this is the first generation fully raised in the digital world, the project highlights a complementary need: authenticity. “Gen Z seeks spaces that tell stories, capable of holding memory and emotional resonance,” where materials, textures, and craftsmanship coexist with sustainable technologies.

The home is reimagined as an adaptive ecosystem, where flexibility and transformation become key elements. Modular layouts, transformable furniture, and sensory environments allow spaces to evolve alongside users: “environments that shift with routines, identities, and creative impulses,” shaping a dynamic and personal way of living.

The concept is built around the idea of cultural weaving, both as a design language and a metaphor. Colombian and Balkan traditions merge with a more structured approach, creating a balance between spontaneity and precision. In this sense, “weaving becomes a symbol of connection and balance,” capable of bringing together intimacy and collective experience.

The collaboration with Poltrona Frau introduces a reflection on the relationship between heritage and contemporaneity. As the designer explains, “the challenge was to integrate the identity of a heritage brand and make it part of our generation,” through a reinterpretation of its values.

Collaboration and cultural exchange also played a central role in the process: “bringing together different identities into a shared space” translates into inclusive environments where everyone can feel represented.

The final experience is designed to be immediate and immersive. The goal is for users to feel part of the space from the very first moment: “to walk in and feel at home,” experiencing the environment in a natural and intuitive way.

Looking ahead, the project envisions an evolution of living based on a more conscious relationship between space and individual: “homes will become living systems,” not dominated by technology, but built on a balanced relationship between material, experience, and everyday life.

A New Idea of Luxury

Through these projects, a vision of living emerges as a dynamic and evolving system, capable of adapting to environmental conditions, cultural identities, and emotional needs.

The dialogue with Poltrona Frau builds a bridge between tradition and innovation, defining a new paradigm of luxury—no longer static, but fluid, sensory, and deeply human.

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Connexio by Alessi at DW 2026: a flower that turns artificial intelligence into human relationships

Presented during Milan Design Week 2026, Connexio is one of the “domestic oracles” developed for Alessi as part of a research project exploring new ways of interaction between humans and technology.

Conceived in collaboration with the Istituto Italiano di Tecnologia and designed by Kothari Arihant, a student in the Master’s program in Product & Furniture Design at Istituto Marangoni Milano Design, the project contributes to an increasingly relevant discussion: the role of artificial intelligence in our emotional and everyday lives.

In an era defined by constant yet often superficial digital connection, Connexio proposes a relational technology capable of making the invisible visible.

Alessi DOMESTIC ORACLES Connexio

How Connexio works: AI interpreting human relationships

Connexio gives physical form to an artificial intelligence agent capable of interpreting the quality of human relationships. The system analyzes metadata from social interactions—such as frequency, intensity, and continuity—and translates them into slow, progressive visual transformations.

The idea was to use AI in a different way,” Arihant explains. “Not as something that tells you what to do, but as a reflective source that adds meaning.

These transformations are neither immediate nor invasive; they unfold over time, creating a silent language that reflects the state of the user’s emotional connections.

I didn’t want it to be an object that interrupts or reminds you of something,” he adds. “It becomes more like a mirror, helping you understand your relationships day by day.”

Marangoni DW 62

The flower design: aesthetics, interaction, and Alessi inspiration

The project takes shape through a natural element: the flower. This choice stems from a reflection on interaction, strongly influenced by the design language of Alessi.

Alessi objects have this quality—you want to touch them, interact with them,” he says. “That led me to create something that could also feel like a companion, not just an object.

The choice of the Calla Lily, in particular, responds to both aesthetic and functional needs.

While searching for a form that could move in a simple yet elegant way, I came across the Calla Lily. It has a very clean geometry, very ‘Alessi,’ and a natural movement that I could translate into the project.

The result is a balance between symbolism and function, where the flower becomes an emotional interface rather than mere decoration.

The idea behind Connexio: between emotional distance and reflective technology

At the core of the project lies a personal experience: moving abroad and the resulting sense of distance from loved ones.

It was the first time I had moved away from my country, and I really felt homesick,” Arihant recalls. “When we started working on the ‘oracles,’ I realized I wanted to create something related to human relationships.”

The brief thus intersected with a real-life experience, evolving into a broader design reflection.

I’ve never really been a big fan of artificial intelligence,” he adds. “That’s why I wanted to use it in a way that could genuinely add emotional value.

Marangoni DW 76

Design challenges: balancing technology and human experience

Designing Connexio meant tackling a complex challenge: integrating product design, technology, and emotional experience.

The hardest part was keeping the human at the center,” he explains. “I wanted the object to remind you of the people you care about, but without forcing or disturbing you.”

For this reason, the technology was conceived as discreet and passive.

It should never interfere,” he continues. “It’s something that accompanies you and helps you reflect on your relationships in a natural way.

From development to Design Week: a complete learning experience

The project was developed at Istituto Marangoni Milano – The School of Design through a process of experimentation and continuous dialogue.

It was a very dynamic journey,” Arihant says. “At the beginning, we misunderstood parts of the brief, but overcoming those obstacles and seeing the project take shape was really exciting.

Constant exchange with professors and collaborators proved essential: “Discussing ideas and seeing different perspectives helped me a lot in developing the project.

Presenting the project at the Milan Design Week 2026 marked the culmination of this journey.

It was one of my biggest achievements,” he concludes. “I had always dreamed of attending as a visitor, so being there as a designer was truly overwhelming. Professionally, I learned the entire process—from prototyping to teamwork. It was a complete experience.

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