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Milano The School of Fashion

A unique encounter between Italian heritage and contemporary fashion

Studying fashion at Istituto Marangoni Milano is an immersive journey through the heritage of Istituto Marangoni’s very first school, surrounded by Italian contemporary fashion and ready-to-wear. Students will engage with the ‘Made-in-Italy’ culture and the latest fashion trends, inspired by experimental design and research and combining handmade luxury and attention to detail with striking effects. Leveraging long-standing expertise and a creative, forward-thinking attitude towards both design and business, the city and the school have gained a privileged position in the global fashion arena. Students at IM Milano have the opportunity to take part in special educational projects developed with leading fashion companies, an invaluable experience that will help them progress into the next phase of their fashion journey.

 

 

 

 

EXPERIENCE MILANO THROUGH VIDEO

Explore Istituto Marangoni Milano through video, where Italian heritage meets contemporary fashion and Made in Italy excellence. Discover how students combine luxury craftsmanship, fashion design innovation, and exclusive projects with top fashion brands in the global capital of style.

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ACADEMIC COURSES & GUIDANCE
ENTRY REQUIREMENTS, VALIDATIONS & SCHOLARSHIPS
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Discover a world of creative possibilities at Istituto Marangoni Milano, where a fusion of creativity and expertise awaits in the fields of Fashion Design, Fashion Business, Fashion Communication & Image and Fragrances & Cosmetics.

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The Innovation Culture Symposium brought together leading professionals to discuss AI and creativity in fashion.

What happens when artificial intelligence, algorithms, and new technologies stop being simple tools and become active players within creative processes? This compelling topic was explored by Istituto Marangoni Milano through the Innovation Culture Symposium • Discussing New Paradigms in Fashion, held at the Palazzo Turati campus. The event unfolded across three panels, bringing together faculty members, researchers, fashion and luxury professionals, and distinguished industry guests to foster dialogue on the future of creativity and the new paradigms transforming the fashion system — from creative direction and smart textiles to digital platforms and emerging consumers.

To address technological innovation, the symposium adopted an open discussion that examined both its limitations and contradictions, as well as its potential, to understand how technology is reshaping the language of fashion and how the industry can adapt.

Luxury in the Algorithmic Era

The first panel explored one of the fashion industry’s most pressing issues: the impact of artificial intelligence on the cultural and economic foundations of luxury. Participants included Marta Martina, IM Faculty member, fashion and media researcher, and journalist; Simona Murialdo Sànchez, Art Director & IM Milano Fashion Styling Course Leader; and Rita Laino, Global Human Resources Director at Valextra, moderated by Carlotta Sadino, IM Creative Masters Programme Leader.

For decades, fashion has thrived on concepts like authorship, vision, and uniqueness. Today, artificial intelligence is redefining many of these pillars. Rather than causing abrupt change, AI operates through recombination — reshaping what already exists. Generative tools accelerate and compress established phases of the creative process — research, reference gathering, synthesis, and translation — fundamentally altering the flow of creative thinking.

The main risk is visual homogenisation: an overproduction of images paired with limited critical selection. Creative direction is shifting upstream in the process, with briefing, constraint-setting, and system design becoming central acts of authorship. And what if the most compelling forms of creativity emerged precisely at the margins — through error, resistance, and unpredictability?

THE VALEXTRA CASE

Rita Laino, Global Human Resources Director, shared how Valextra uses artificial intelligence as a resource that serves brand culture rather than dominates it. AI becomes a tool for amplification, enabling controlled experimentation and supporting more sustainable creative processes. Here, innovation is not about replacing a brand’s language but expanding its possibilities.

Human–Machine Dialogues

The second panel shifted the focus to the evolving relationship between people, smart materials, and emerging technologies. Speakers included Alessia Moltani, IM Faculty member and founder of ComfTech; Carolina Guajana, Fashion Business Programme Leader; Alessandro Castiglioni, Deputy Director & Senior Curator at MA*GA Museum and IM Milano Faculty member; moderated by Simona Ironico, PhD, IM Fashion Business Programme Leader, and Carlotta Sadino, IM Creative Masters Programme Leader.

Clothing is being reimagined—not just as something we wear, but as an interactive platform that collects data about the wearer, interprets signals, and forges a dynamic relationship between the body and the environment. Advances in wearable technology and smart textiles demonstrate how fabrics integrated with sensors, responsive systems, and artificial intelligence can transform how we think about design.

This represents more than technological innovation; it signals a new paradigm in the relationship between individuals and products. Intelligent textiles can interact with and adapt to their environment, enhancing quality of life.

Additionally, the speakers discussed how AI can be used to preserve a brand’s identity without anchoring it to the past. In a landscape marked by continuous shifts in creative direction, artificial intelligence could become a tool for continuity, capable of safeguarding a brand’s symbolic heritage while enabling growth and adaptation.

THE RAMY™ CASE

A B2B platform leverages data and AI to help fashion brands manage creative legacy and succession planning for creative directors. Acting as a “digital twin” of brand heritage, it captures and operationalises the symbolic, emotional, and stylistic aspects of brand identity. Instead of replacing human creativity, AI provides a strategic framework that supports innovation without dispersing a brand’s identity.

Creative Disruption & Attention Economy

The third panel addressed the increasingly central issue of consumer engagement in a world saturated with endless content, images, and stimuli. Panellists included Carlos Gago Rodriguez, IM Faculty member, academic researcher, art director, and fashion buyer; Daniele D’Orazi, IM Faculty member and Master Fashion Omnichannel & E-Commerce Scientific Coordinator; and Astrid Daprà, IM Faculty member, Global Luxury & Fashion Executive (including experiences at Balenciaga, Saint Laurent, Prada, and Armani), advisor and catalyst; moderated by Simona Ironico, PhD and Fashion Business Programme Leader. 

The primary challenge today is not producing more content, but generating meaningful content. Artificial intelligence can replicate styles, speed up processes, and scale production; what it cannot independently generate is vision — a distinct point of view.

Some artists deliberately use altered, sabotaged, or dysfunctional machines to question the power structures behind these technologies. This may have been one of the symposium’s most powerful insights: in an increasingly automated context, genuine human value lies in intention.

New generations seek identity over mere products, and brands that focus solely on performance risk creating content devoid of substance. Today, storytelling is no longer simply a marketing tool but an expression of values, awareness, and ethical positioning.

If technology can amplify and accelerate, a fundamental question remains: what stories do we really want to tell?

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Istituto Marangoni Milano and Atlético de Madrid Unite in the Name of Fashion

The collaborative project between Atlético de Madrid and Istituto Marangoni Milano concluded on May 7 with an exclusive event at the Riyadh Air Metropolitano Stadium in Madrid. The initiative involved students from both the Bachelor’s Degree courses and Master’s programmes in Fashion Design & Accessories as part of the Creators Club.

The winner students

Students were invited to reinterpret Atlético de Madrid’s visual identity and values through innovative capsule collections that blend the language of sport with avant-garde fashion research. The club’s colours (white and red) earned its players and fans the nickname colchoneros (“mattress makers”), a nod to their resemblance to the fabrics of traditional early 20th-century Spanish mattresses. Founded in 1903 by Basque students affiliated with Athletic Club, Atlético de Madrid continues to embody the authentic, combative team spirit that has made it one of the most iconic clubs in European football.

The three winning projects - designed by Javier Gonzalez Macia, Ivana Duca, and Jhovanka Marcela Beck - were officially unveiled in digital format at the VIP Tunnel Club of the Riyadh Air Metropolitano Stadium before a prestigious international audience of journalists, influencers, VIP guests, school alumni, and industry professionals. Selected by the Atlético Madrid jury, the capsules offer three distinctive interpretations of the universe surrounding this legendary club, translating its codes into a more contemporary fashion sphere while maintaining a strong connection to its historical heritage.

The project by Istituto Marangoni Milano demonstrates that football and fashion are becoming increasingly intertwined, creating fertile ground for cultural expression and stylistic innovation that resonates with younger generations and conveys a strong sense of identity. From an educational perspective, such collaborations offer students the opportunity to engage with international realities beyond the traditional luxury pathways, encouraging experimentation with innovative partnerships and multidisciplinary design.

The winner students

The Three Award-Winning Projects

Javier Gonzalez Macias developed a capsule collection featuring ergonomic shapes that channel the club’s energy and resilience through dynamic silhouettes and details inspired by contemporary urban aesthetics. The collection strikes a balance between performance and style using materials such as denim, nylon, and leather.

Ivana Duca pursued a more sophisticated, conceptual vision, exploring the emotional bond between supporters, belonging, and visual identity. Her proposal merges sporting heritage with fashion sensitivity: crochet details pay tribute to Spanish women who used to knit, while the silhouettes are inspired by the club’s trophies, symbols of performance and success.

Jhovanka Marcela Beck presented a boldly experimental collection that reinterprets the world of football through materials, volumes, and cultural influences combined in innovative, inclusive ways. Vibrant colours and street-style references inject energy into both menswear and womenswear.

Students during the presentation in Madrid

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I'M MENTORS
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Inspiring and supporting students while helping them grow their skills, Mentors are a go-to person for future fashion, design & art talents.

CONTACTS

Enrolment information for new students

milano@istitutomarangoni.com
t +39 02 3858 5247


Student Service Office

academicservices.milano@istitutomarangoni.com t + 39 02 7631 6680

Istituto Marangoni Milano

Via Meravigli, 7, 20123 Milano MI